{"id":5599,"date":"2025-01-24T04:46:24","date_gmt":"2025-01-24T03:46:24","guid":{"rendered":"https:\/\/asimtria.org\/pumpum\/?p=5599"},"modified":"2026-03-16T14:17:49","modified_gmt":"2026-03-16T13:17:49","slug":"daniela-moreno-wray-ec","status":"publish","type":"post","link":"https:\/\/asimtria.org\/pumpum\/?p=5599","title":{"rendered":"Daniela Moreno Wray [EC]"},"content":{"rendered":"<p>(Ecuador 1982) Se diploma en el Centro de Investigaci\u00f3n Cinematogr\u00e1fica (Argentina). Sus estudios tambi\u00e9n incluyen fotograf\u00eda en Quito y teatro en la Escuela de Artes Esc\u00e9nicas CAL en R\u00edo de Janeiro, Brasil. Ha participado de varios documentales de creaci\u00f3n y es autora de la instalaci\u00f3n audiovisual \u201cTransmestizx\u201d, enfocando su trabajo en la reflexi\u00f3n de las relaciones entre pueblos atravesadas por nociones de interculturalidad, territorio e identidad y nuevos imaginarios.<span lang=\"es-ES-u-co-trad\"> I<\/span>mpulsa el espacio rural Upayakuwasi de arte, naturaleza y tecnolog\u00eda<span lang=\"es-ES-u-co-trad\"> que le han llevado a adentrase en la agroecolog\u00eda regenerativa a trav\u00e9s de los sistemas alimentarios y es cofundadora de La Divina Papaya, una peque\u00f1a empresa basada en agricultura, sembrada, operada y dirigida por mujeres.<\/span><\/p>\n<p><span style=\"color: #0563c1;\"><u><a href=\"http:\/\/dmw.hotglue.me\/\" target=\"_blank\" rel=\"noopener\">http:\/\/dmw.hotglue.me<\/a><\/u><\/span><\/p>\n<p><span style=\"color: #0563c1;\"><u><a href=\"https:\/\/ladivinapapaya.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/ladivinapapaya.com<\/a><\/u><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Se diploma en el Centro de Investigaci\u00f3n Cinematogr\u00e1fica (Argentina). Sus estudios tambi\u00e9n incluyen fotograf\u00eda en Quito y teatro en la Escuela de Artes Esc\u00e9nicas CAL en R\u00edo de Janeiro, Brasil. Ha participado de varios documentales de creaci\u00f3n y es autora de la instalaci\u00f3n audiovisual \u201cTransmestizx\u201d, enfocando su trabajo en la reflexi\u00f3n de las relaciones entre pueblos atravesadas por nociones de interculturalidad, territorio e identidad y nuevos imaginarios.<\/p>\n","protected":false},"author":1,"featured_media":5600,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[122],"tags":[],"class_list":["post-5599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-122"],"_links":{"self":[{"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/posts\/5599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5599"}],"version-history":[{"count":1,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/posts\/5599\/revisions"}],"predecessor-version":[{"id":5601,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/posts\/5599\/revisions\/5601"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/media\/5600"}],"wp:attachment":[{"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}