{"id":1231,"date":"2021-05-02T18:27:46","date_gmt":"2021-05-02T16:27:46","guid":{"rendered":"https:\/\/asimtria.org\/pumpum\/?page_id=1231"},"modified":"2022-04-03T18:28:18","modified_gmt":"2022-04-03T16:28:18","slug":"uyarikuy","status":"publish","type":"page","link":"https:\/\/asimtria.org\/pumpum\/?page_id=1231","title":{"rendered":"Uyarikuy"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-764\" src=\"https:\/\/asimtria.org\/pumpum\/wp-content\/uploads\/sites\/14\/2021\/03\/cropped-bannerweb1.jpg\" alt=\"\" width=\"1015\" height=\"276\" srcset=\"https:\/\/asimtria.org\/pumpum\/wp-content\/uploads\/sites\/14\/2021\/03\/cropped-bannerweb1.jpg 1015w, https:\/\/asimtria.org\/pumpum\/wp-content\/uploads\/sites\/14\/2021\/03\/cropped-bannerweb1-300x82.jpg 300w, https:\/\/asimtria.org\/pumpum\/wp-content\/uploads\/sites\/14\/2021\/03\/cropped-bannerweb1-768x209.jpg 768w, https:\/\/asimtria.org\/pumpum\/wp-content\/uploads\/sites\/14\/2021\/03\/cropped-bannerweb1-619x168.jpg 619w\" sizes=\"auto, (max-width: 1015px) 100vw, 1015px\" \/><\/p>\n<section id=\"nav_menu-4\" class=\"fbox swidgets-wrap widget widget_nav_menu amr_widget\"><div class=\"menu-2021-container\"><ul id=\"menu-2021\" class=\"menu\"><li id=\"menu-item-899\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-899\"><a href=\"https:\/\/asimtria.org\/pumpum\/?page_id=888\">Selecci\u00f3n Audiovisual y Sonora<\/a><\/li>\n<li id=\"menu-item-915\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-915\"><a href=\"https:\/\/asimtria.org\/pumpum\/?page_id=903\">Muestras invitadas<\/a><\/li>\n<li id=\"menu-item-913\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-913\"><a href=\"https:\/\/asimtria.org\/pumpum\/?page_id=910\">Conversaciones 2021<\/a><\/li>\n<li id=\"menu-item-914\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-914\"><a href=\"https:\/\/asimtria.org\/pumpum\/?page_id=908\">Conciertos<\/a><\/li>\n<li id=\"menu-item-1204\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-1204\"><a href=\"https:\/\/asimtria.org\/pumpum\/?page_id=2268\">Talleres<\/a><\/li>\n<li id=\"menu-item-1291\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1291\"><a href=\"https:\/\/asimtria.org\/pumpum\/?page_id=1288\">Proyecciones Presenciales<\/a><\/li>\n<li id=\"menu-item-1329\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1329\"><a href=\"https:\/\/asimtria.org\/pumpum\/?page_id=1326\">Radio Tsonami<\/a><\/li>\n<li id=\"menu-item-2236\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2236\"><a href=\"https:\/\/asimtria.org\/pumpum\/?page_id=2199\">Artistas<\/a><\/li>\n<li id=\"menu-item-2103\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2103\"><a href=\"https:\/\/asimtria.org\/pumpum\/?page_id=1370\">Memoria<\/a><\/li>\n<\/ul><\/div><\/section>\n<hr \/>\n<p style=\"text-align: left;\"><em>Uyarikuq ruwaykunata yuyaychanchis, kay llank\u2019aykunatataq ruwayku uyarispalla, imaynach\u00e1 rikuypachanchis uyarikuq chaymanta.<\/em><\/p>\n<p style=\"text-align: left;\">Obras sonoras, enfocadas \u00fanicamente en la experiencia de escucha, desde la b\u00fasqueda, la experimentaci\u00f3n, el paisaje y la interpretaci\u00f3n alternativa.<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Charlie V\u00e1squez<\/strong> | Cantos Pajar\u00edsticos | 2019<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/cantos-pajaristicos\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/01_cantospajaristicos.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong><a href=\"https:\/\/asimtria.org\/pumpum\/?p=876\">Mauricio Banda<\/a> | Jard\u00edn electr\u00f3nico | 2020<\/strong><\/p>\n<p>Estas grabaciones son el resultado de 7 sesiones improvisadas que hice en octubre de 2020 en mi casa por las noches.<br \/>\n\u201cJard\u00edn electr\u00f3nico\u201d son tres variaciones de un mismo tema con casi los mismos sonidos interpretados en tiempos diferentes, asemejan la fiesta de llegada y despedida de las hormiguitas.<br \/>\nUse dos circuit bendings, nintendo DS, kaossilator, walkmans, Yamaha QY70, tablet, ca\u00f1as de bamb\u00fa, conchas de mar, campanas y cascabeles, todo grabado directamente a una tascam.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/02_jard%C3%ADnelectronico.jpg\" alt=\"\" width=\"500\" height=\"500\" \/><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Dj Drogas<\/strong> | Est\u00e1tica | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/estatica\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/03_estatica.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong><a href=\"https:\/\/asimtria.org\/pumpum\/?p=1926\">German Navarro<\/a> | The machine | 2021<\/strong><\/p>\n<p>Grabaci\u00f3n de campo cuando funcionaba un electrodom\u00e9stico (una lavadora, concretamente), a la que se ha a\u00f1adido una m\u00fasica convertida en un ruido cuasi uniform.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/04_themachine.jpg\" alt=\"\" width=\"500\" height=\"900\" \/><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Federico Balducci<\/strong> | Sedes | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/sedes\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/05_seres.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Yuri Tuma<\/strong> | NEW SUN | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/new-sun\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/06_newsun.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>GUACHE<\/strong> | Liana dos Sonhos | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/liana-dos-sonhos\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/07_lianadossonhos.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong><a href=\"https:\/\/asimtria.org\/pumpum\/?p=1855\">Maru L\u00f3pez Romero<\/a> | germen II: iNVITACI\u00d3N | 2020<\/strong><\/p>\n<p>Surge de la prohibici\u00f3n de jugar arriba de la mesa por una superstici\u00f3n que mi madre hered\u00f3: la mesa era para los muertos. Dejar platos que no se est\u00e9n usando o incluso las sillas mal acomodadas tambi\u00e9n era una invitaci\u00f3n a estos \u00bfC\u00f3mo ser\u00eda invitar a intenciones pasadas? Hurgar lo escondido en las siestas, hurgar los sonidos con sonidos, en un intento de hacer tambalear lo que se consideran \u201cm\u00e9todos seguros para la memoria\u201d. Las sonoridades parten de siestas, y voces de las mujeres de mi familia rememorando intenciones traviesas de escape a situaciones de su ni\u00f1ez. Son los diversos timbres quienes prestan su vibraci\u00f3n a cuerpos en apariencia inertes: la posibilidad de germinar un micro espacio on\u00edrico en lo cotidiano.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/08_germen.png\" alt=\"\" width=\"500\" height=\"768\" \/><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Koyak<\/strong> | Memoria Transdimensional | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/memoria-transdimensional\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/09_memoria.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Diep Sarrua<\/strong> | Sicre | 2016<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/sicre\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/10_Sicre.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong><a href=\"https:\/\/asimtria.org\/pumpum\/?p=2225\">Ollin V\u00e1zquez<\/a> | Palinglosi Cormys | 2019<\/strong><\/p>\n<p>Pieza generativa multicanal estrenada en la Fonoteca Nacional como parte del cierre del diplomado de SuperCollider con el Dr. Iv\u00e1n Naranjo.<\/p>\n<p>Palinglosi Cormys es una pieza concebida en un entorno de programaci\u00f3n usando como elemento principal un fragmento del poema Neurolog\u00eda 211 de Roc\u00edo Gonz\u00e1lez en la voz de Luc\u00eda Taibo.<\/p>\n<p>Al estructurarse por muchas funciones aleatorias tanto en su contenido como en su forma, cada ejecuci\u00f3n de la pieza es distinta entre s\u00ed.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/11_palinglosicormys.jpg\" alt=\"\" width=\"500\" height=\"977\" \/><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Manu Vargas<\/strong> | Aliento | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/aliento\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/12_aliento.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Valeria Vejar<\/strong> | [ 2 1 1 4 ] | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/2-1-1-4\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/13_2114.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Mario Alberto Bravo<\/strong> | 350 | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/350-2\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/14_mmcorta.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Valeria Arag\u00f3n<\/strong> | Las Horas | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/las-horas\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/15_lashoras.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Alexis Perepelycia<\/strong> | El soplo que niega desde la intimidad de un demonio y un \u00e1ngel a la vez | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/el-soplo-que-niega-desde-la-intimidad-de-un-demonio-y-un-angel-a-la-vez\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/16_esqndlidudyduaalv.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Ivonne Sheen<\/strong> | Mantra: saturaci\u00f3n | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/mantra-saturacion\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/17_mantra.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>El Otro Infinito<\/strong> | El fin de la historia | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/el-fin-de-la-historia\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/18_elfinaldelahistoria.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Lautaro Nu\u00f1ez M\u00fcller<\/strong> | pools (cortes) | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/pools-cortes\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/19_pools-cortes.png\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Mauricio Barriga<\/strong> | Reci\u00e9n Creado ( ebullici\u00f3n ) | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/recien-creado-ebullicion\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/20_reciencreado.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Industria del terror<\/strong> | Ocaso | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/ocaso\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/21_Ocaso.png\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Ivonne Villamil &amp; Ivar Rocha<\/strong> | PRIMERA PARTE &#8211; FRAGMENTOS DEL LIBRO \u00abLA DOCTRINA ANARQUISTA AL ALCANCE DE TODOS | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/primera-parte-fragmentos-del-libro-la-doctrina-anarquista-al-alcance-de-todos\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/22_primeraparte.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong><a href=\"https:\/\/asimtria.org\/pumpum\/?p=867\">Marcelo Mellado<\/a> | EL jard\u00edn de vez en cuando | 2021<\/strong><\/p>\n<p>Recoge diversas t\u00e9cnicas y procesos de experimentaci\u00f3n que he ido desarrollando a lo largo de estos meses. Una fuente importante de ella es la utilizaci\u00f3n de loops sin un tempo definido. Para esto he utilizado, sobretodo el software SuperCollider. Con este programa, he generado iteraciones que contienen muchos par\u00e1metros aleatorios y cuyo resultado es siempre un paisaje sonoro distinto. Proceso que me gustar\u00eda poder exponer durante el festival. Tambi\u00e9n he utilizado la superposici\u00f3n de grabaciones de quenas, las cuales son procesadas a trav\u00e9s de un DAW.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/23_El%20jardin.jpg\" alt=\"\" width=\"500\" height=\"768\" \/><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Anamorph Experimental Music<\/strong> | R3birth | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/r3birth\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/24_r3birth.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Javier Celis<\/strong> | Ya no: La incertidumbre del r\u00edo | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/ya-no-la-incertidumbre-del-rio\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/25_yano.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Randy Alva Pe\u00f1aloza<\/strong> | HOSPITAL RIO VERDE | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/hospital-rio-verde\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/26_hospital.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Lien Rodr\u00edguez<\/strong> | Ley de gravedad | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/ley-de-gravedad\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/27_leydegravedad.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Bot Cocktail<\/strong> | Di\u00e1logos del encierro, primer movimiento | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/dialogos-del-encierro-primer-movimiento\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/28_dialogosencierro1m.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Les replicants<\/strong> | Virtual memories | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/virtual-memories\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/29_virtualmemories.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>M\u00e4ro<\/strong> | Defy | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/defy\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/30_maro-defy.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Jaidy Astrid D\u00edaz Barrios &amp; Evelyn Biecher et Soci\u00e9t\u00e9 Pitouch Company<\/strong> | Opus 2. Paisajes de compa\u00f1\u00eda, Arguedas | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/opus-2-paisajes-de-compania-arguedas\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/31_opus2.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Ana Gonz\u00e1lez Gamboa<\/strong> | Habitar el entorno respirar el espacio | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/habitar-el-entorno-respirar-el-espacio\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/32_habitarelentorno.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Paula Montecinos Oliva<\/strong> | Las cuatro orillas | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/la-cuatro-orillas\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/33_las_cuatro_orillas.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Basti\u00e1n D\u00edaz Jerez<\/strong> | D\u00edas desiertos | 2020<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/dias-desiertos\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/34_diasdesiertos.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>s.o.k. (sonidodelvacio)<\/strong> | Memoria L\u00edquida \/ Radio Desnuda | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/memoria-liquida-radio-desnuda\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/35_memorialiquida.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Daniel Bravo<\/strong> | El que cura los granos | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/el-que-cura-los-granos\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/36_elquecuralosgranos.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Arruina<\/strong> | Bad Frequency | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/bad-frequency\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/37_arruina.png\" alt=\"\" width=\"500\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>360asking<\/strong> | ini | 2021<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.pumpumyachkan.org\/ini\/\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/archive.org\/download\/pumpumyachkan2021uyarikuy\/35_memorialiquida.jpg\" alt=\"\" width=\"500\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uyarikuq ruwaykunata yuyaychanchis, kay llank\u2019aykunatataq ruwayku uyarispalla, imaynach\u00e1 rikuypachanchis uyarikuq chaymanta. Obras sonoras, enfocadas \u00fanicamente en la experiencia de escucha, desde la b\u00fasqueda, la experimentaci\u00f3n, el paisaje y la interpretaci\u00f3n alternativa. Charlie V\u00e1squez | Cantos Pajar\u00edsticos | 2019 Mauricio Banda | Jard\u00edn electr\u00f3nico | 2020 Estas grabaciones son el resultado de 7 sesiones improvisadas que&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1231","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/pages\/1231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1231"}],"version-history":[{"count":18,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/pages\/1231\/revisions"}],"predecessor-version":[{"id":2259,"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=\/wp\/v2\/pages\/1231\/revisions\/2259"}],"wp:attachment":[{"href":"https:\/\/asimtria.org\/pumpum\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}